Harvard gestures at “math” via the Quantitative Reasoning with Data requirement, which requires students to take a class on ...
Elizabeth McCracken's connected short stories chronicle a family's encounters with their eldest son's girlfriend and eventual wife. This slim collection is so engaging, you may want to read it twice.
Decoding the Essence and Approach of Two Types of Texts Through the 'Words of the Text'—While both expository and narrative ...
In the spirit of my recent “Math 2.0” talk on new ways to use AI assistance to enhance the human understanding of mathematics, rather than substitute for it, I am using this post to propose an ...
In novels, the technique of a character introducing themselves to the reader is a powerful approach for narrowing the distance between the character and the reader, primarily effective in first-person ...
EVERY week we have been following the type of essays set in the public examinations. Avid followers of this column have been following all the essay types from narrative, descriptive, discursive.
In my daily rhythm of study, preaching, and teaching, a commentary is an essential companion. I reach for a commentary more than any other resource. Whether I am preparing a message for the chapel at ...
Isabel C. Hogben ’29, a Crimson Editorial editor, lives in Greenough Hall. Did you come to Harvard to watch “Grey’s Anatomy?” In the 2025-26 academic year, over 50 sections of Harvard’s hallmark ...
Much of the commentary about John MacArthur in the wake of his death last week has focused on the controversies about his views on gender and politics or his habit of turning a deaf ear to women who ...
Have you ever sat with your grandparents or elderly relatives, listening to their stories and wishing you could capture every detail? Maybe you’ve wondered how to preserve your own journey for the ...
Artificial intelligence is absolutely everywhere these days, from generative AI chat tools like ChatGPT and Google Gemini to music, photo and video creators like Dall-E, HeyGen and Suno AI. For many ...