An unusual dance/thriller hybrid builds to a striking ending. Loren Noveck reviews. An unsettled, uneasy pairing of a rural crime story (whose mystery, as noted, lies more in the puzzling ...

Bedlam presents a revival of Shakespeare’s play without the company’s usual sense of fun. Patrick J. Maley reviews. Under the artistic direction of Eric Tucker, Bedlam has consistently proven itself a ...

William Finn and Rachel Sheinkin’s musical comes back to New York with the warmth of an old friend. Lane Williamson reviews. William Finn and Rachel Sheinkin’s delightfully quirky musical The 25th ...

A unique theatrical experience that blends docudrama and immersive theater to dramatize the stakes of climate change. Carol Rocamora reviews. That’s the intent of the remarkable theatre artists Joe ...

The concept falls flat in Shakespeare in the Park’s first offering this summer. Lorin Wertheimer reviews. Normally, I’d use this space to summarize the plot, but the story of Romeo and Juliet, so ...

This vampire musical succeeds on spectacle, but belabors its themes. Loren Noveck reviews. It is telling that the website for The Lost Boys, a new musical adaptation of the 1980s horror comedy film, ...

Abby Rosebrock’s Lowcountry unfolds on the kind of sultry South Carolina night where the air practically boils and a soundtrack of skeeters buzz in the mist. I saw the play on such a night in New York ...

Heidi Schreck’s crisp new adaptation of Chekhov’s play takes the stage at Lincoln Center. Cameron Kelsall reviews. Sad, complicated people rarely make good company in life, but in the world of a play, ...

Packed with banging tunes, striking choreography, and sharp performances, this new musical is so much fun Lorin Wertheimer doesn’t even mind its less-than-compelling book. I attended New York Theatre ...

Eliya Smith’s play about four teenaged girls is raw and messy and heartbreaking and joyful all at once. Loren Noveck reviews. Everything matters. Everything is hilarious. Everything is the worst. As I ...

Speculative fiction about Prince George is surrounded by more personal stories in Jordan Tannahill’s new play. Lane Williamson reviews. I’m finding it difficult to articulate how I felt about Prince ...

In the press release for The Antiquities, playwright Jordan Harrison notes that the play “sits in that tension between embracing progress and fearing it”; it’s about the way we thrive through ...